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Some of her most impressive performances in Fassbinder films can be seen (again) on Amazon Prime, for example, MARTHA (1974),, the less well-known FEAR OF FEAR (1975),, and THE BITTER TEARS OF PETRA VON KANT (1972). On 20 February the actress Margit Carstensen, who we only recently congratulated on receiving the Götz George Prize, celebrated her eightieth birthday.
ARTE MEDIATHEK FILME ARCHIVE
The photo book also includes a birthday greeting from director John Waters, the “Pope of Trash,” who once described a visit to a Fassbinder retrospective as “better than drugs, liquor and sex put together.” The book comes out on 1 May and more information about it can be found at:Ī quick tour via moving pictures of Fassbinder’s work is currently available in the online archive (mediathek) of the French-German television broadcaster Arte, which is offering a short, associative film collage by Martial Salomon free of charge:Īnd there are still other anniversaries to celebrate. The introduction has been written by the film scholar and RWF expert Hans Helmut Prinzler. The small-format book “Filmstills 1966–1982” looks at Fassbinder’s oeuvre by way of numerous film stills. Some of the increased amount of time at home might be enjoyably spent with a new publication by Schirmer/Mosel Verlag. If and in what form the event can ultimately take place will be announced on the DFF website: While a number of events celebrating this anniversary have already been postponed, such as the retrospective planned for the San Sebastian Film Festival, planning for a three-day birthday event at the German Film Institute & Film Museum (DFF) in Frankfurt am Main is still underway. On 31 May Werner Fassbinder would have turned 75 years old. We are particularly looking forward to coming anniversaries. Within the framework of these changed conditions we would like above all to accentuate the positive. A wide range of streaming services has meant that many offerings have been shifted to the home sphere. And yet not all cultural life has come to a standstill. Above all for smaller venues and institutions, this enforced break is proving an existential threat.
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For the time being, cinemas, like museums and theaters, have to remain closed. One of the many challenges this has brought is the massive restrictions placed on the cultural sector. For weeks now the whole world has been in a state of emergency.